During the early to mid- 1980’s, the roots of my musical being were expanding and just like impatiens that require more and more water, my need for hard-rock music was growing immensely. I was always seeking more – just like when you are at a holiday party as you are devouring the numerous hors d’oeuvres- my soul was craving straight up rock music. I would always tune into WPLJ in New York (back when it was a rock station) to see if I would hear something that would grab me by the throat and make me pay attention. Then it happened…
I remember the first time I heard what sounded like someone lighting a match as the guitar riff comes in and the opening lyrics just rip through you- “I’m out of luck, out of love… got a photograph, picture of”- and just like when Cabbage Patch Dolls came into being—I GOTTA HAVE THIS!! Who is that? For the next four minutes or so, it is pure bliss—Air guitar heaven with crashing drums spliced in with the coolest vocals which can go low and high—does it get better than this? This one song hooked me on its opening moment and I have never looked back- enjoying a journey of this most excellent band- Def Leppard- through four decades of joy and hardship for this outfit from across the pond. And from a personal point of view, I will forever be grateful to Def Leppard because my first ever date with my bride was seeing them live at the Brendan Byrne Arena in Sept. 1988 (when they sold out three straight nights and I was there for the last two nights) and as they say “the rest is history.”
“Rock Rock Till You Drop” is my mantra and I could go on all day long on how many of their songs get them into the Hall on an individual basis alone – this song kicks off, in my opinion, their first “break-through” album-“Pyromania”- and it leaves you thirsting for so much more. Your blood starts flowing, your excitement increases and all one wants to do is dance around the room with both arms raised- this is the first song and there’s no waiting to turn up the volume. CRANK IT UP!!! Joe’s vocal prowess seeps with the hunger and energy needed to make it to the top and the guitar solo at the 2:17 mark is too much to handle as the “pure perfection” production is evident right from the outset. Then it’s on to the aforementioned “Photograph”- an awesome one-two punch to get things started. “Stagefright” used to be an opener at their live shows for a couple of years and I guess the reason for the audience to be part of a studio album—I can picture the mash pit swarming like bees surrounding and protecting the queen as the adrenaline is at a fever pitch. And you know what? Some 30 years later Def Leppard is still creating that adrenaline at a fever pitch, how many bands or artists can say the same thing?
I don’t want to do a song by song review but how can I ignore the fourth song on side one of Pyromania- “Too Late For Love”—dare I say that this track could arguably be their most popular song? (I know what you are thinking but I will pour some sugar on that later). How cool is Mr. Elliot’s vocals when he starts the verse- “…Standing by the trapdoor aware of me and you…” How can you not sing along to this song- pretty impossible, huh? Side 1 ends with the jewel of this album- “Die Hard The Hunter”- again the production is top notch and the timing changes along with the heavy melodic guitar is so infectious that you realize that about 23 minutes have gone by and it feels like seconds because it is so good. This is clearly a perfect album side and this alone gets the boys in to the Hall.
Side two contains two songs where many people would argue are their best songs ever- “Foolin’” and “Rock of Ages”—are you kidding me? What were “they” waiting for? Foolin’ ranks up there with the best rock songs ever created- “Is there anybody out there” that would disagree? If I am starting a band I take Phil Collen and the dearly departed Steve Clark any day of the week—their guitar work is so addictive that it’s like when a small child is trying to eat an ice cream cone on a hot summer day and the ice cream just keeps dripping. You struggle to contain the euphoria but sometimes it is over-whelming and that’s how I would describe most all their songs—especially “Rock of Ages” — these are stadium anthems that never get old. To this day, when one puts this album on it’s like a lightning bolt “down to the ground.” The album ends on a high note with the unheralded “Billy’s Got a Gun” and the one thing that I notice on this song is the compelling background vocals—think Queen, think Van Halen—the backup vocals set them apart right? Def Leppard, in my opinion, sets the standard- there I said it—I know I will receive flack but it is hard to argue because when one thinks of Def Leppard- amongst the many attributes that people would throw out there- the background vocals is one of the things that sets them apart from the pack.
So I played “Pyromania” until the inside sleeve of the album was torn and was waiting for the follow-up. Then all of us heard of the horrible accident that occurred to their drummer- Rick Allen- on New Year’s Eve 1984. He amazingly survived and has thrived since losing a limb (a true “Beat All the Odds” story line here, no doubt) but at the time I think we all waited with bated breath to see if the band would continue. Here they are hitting their stride and then this. It took a while but then in 1987 they release the almighty “Hysteria”- this album is the flat out reason they find themselves in the same hall of fame alongside the bands they idolized and imitated. This is their “Sgt. Pepper’s” and it was a double edge sword—the hard (rock) liners were upset with the pop/country flavor (see “Love Bites”) and yet the pop stalwart-“Pour Some Sugar on Me”- brought in a whole new fan base and sent their popularity to another stratosphere. The “Sugar” song is arguably their most popular song and just like other rock bands that have a song that is repeatedly played until the song is dead (think- “Sweet Home Alabama”) this song is in that category and though I recognize its greatness, I usually hit the next button when I listen to Hysteria in its entirely- doesn’t take anything away- just being honest.
Hysteria starts off with the incredible-“Women”- and right off the bat, it rips the Band-Aid off the skin and flat out rocks- the groove line is so contagious that you start a slow bounce of your head up and down while squeezing those headphones to your ears so you can soak in all the juicy flavor. I have to say if I am on a desert island and I can take only 25 songs—I am taking this one with me. I have already hit the replay button five times since I started the last two paragraphs. Again I say to myself- What were “they” waiting for? And just like when Metallica released the “Black Album” all the questions arose with the style and flavor of “Hysteria”- it’s not like “Pyromania”; it’s not hard rock enough—I say- What am I missing? “Rocket” is a stellar song with “guitar” and “drums”—when a band can make a song like this, what is there to really complain about? “Animal” is so powerful that I dare you to get the chorus out of your head-“…I got ta feeling in my blood…Waa Ohh… I need your touch don’t need your love… Waa Ohh… And I want And I need And I love- Animal” The entire album seems crafted that each song is its own island and stands alone and I bet some many people have each song as its favorite—dare I say that they created new material for a new album and yet at the same time it could have been released as a “greatest hit” collection—do you see what I am getting at? If you put this album on today it sounds as fresh as it did when released in 1987. Even the title song is so good that it makes me picture the entire brethren of Def Leppard to be in an open field on their knees while a soft drizzle sprinkles our faces and as we all slowly rise, the sun shines through as we all exalt- “…cause it’s a miracle… Oh say you will, ooh babe… Hysteria when you’re near…”
As the summer of 1988 was coming to a close I knew my window of opportunity was closing with respect to a beautiful woman that I so badly wanted to go out on a date but was intimated. But for everyone that knows me, music is what makes my world spin, I can’t survive without it as it is my inspiration. So on a Thursday afternoon in Sept. 1988 while I was standing talking to my cousin outside our work building and making plans to meet up later to see Def Leppard at the Brendan Byrne, the woman that I wanted to date overhears our conversation. She then proceeds to ask me why I didn’t ask her to go to the show. I immediately tell her that I will purchase tickets for the Friday night show and she agreed. The night obviously turned out to be magical as she became my bride and I was able to see Def Leppard two nights in a row. So again I am forever grateful to Def Leppard.
Hysteria would be the last album that Steve Clark played on (but he co-wrote songs with the band that appeared on “Adrenalize”) and in 1991 the band suffered its second hardship- saying goodbye to its brother. It is so sad to this day that we (the general public) assume that a rock star has it made, right? I think to the gut-wrenching song that Tesla wrote for him (Tesla has been with Def Leppard from the beginning and appear to be family as they still tour together today)- “Song and Emotion”- “… see a man most everyday… a lonely man and his guitar… in his eyes, I see the pain, all the faces and the places of the troubles that he has seen…” still hard to not shed a tear when I hear this song. To the band’s credit, they continued onward and getting Vivian Campbell to join the fray is another feather in their cap.
Another memorable moment for me is when I attended our friend’s wedding in 1993 and when the bride had her own dance, she chose “Two Steps Behind”—I will never forget Joe’s vocals coming across the speakers to the acoustic guitar- “Walk away if you want to… it’s Ok… if you need to… you can run but you can never hide…” as Mimi danced to this heart-warming song as Sal watched like the rest of us to the beauty of the moment. It was the first wedding besides ours that I heard a song from a band that I loved and as I sang along all the folks at my table were like- “You know this song?” Of course, “And you don’t?”
I would be remiss to kind of gloss over some of the earlier and post Hysteria catalog. As I mentioned at the top of this review, this band has so many individual songs that in my mind easily stamps their ticket into the Hall of Fame. In no particular order or any rhyme or reason here are some of their songs from their other albums. “Bringing on the Heartache”- How can anyone write or speak about Def Leppard without mentioning this song? It’s from their second studio album-“High & Dry”- the opening guitar riffs lure you in and when Joe starts with “Gypsy, sitting looking pretty” you know you are in- hook, line & sinker. And when it gets to the chorus you know you have to sing to the top of your lungs- “taking all the best of me… oh can’t you see… you got the best of me… Oh can’t you see… YOU’RE BRINGIN’ ON THE HEARTACHE!!” From the album- “Adrenalized”- I am all about the bubble-gum sappy rock ballad and the “Have You Ever Needed Someone So Bad” is truly a guilty pleasure. Talk about stellar background vocals—“I gotta have ya… Babe.. Bay” I am swaying back and forth as I am belting out the chorus. Same goes for “When Love & Hate Collide” from the album –“Slang”- this has the Aerosmith power ballad down to a precision. I can picture this song being requested at a party where everyone is slow dancing and lip syncing to this mellow but beautiful song. Mr. Elliott knows how to sing these ballads (and obviously rock it out when needed). And then from their latest release in 2015, check out the song –“We Belong”- I think it’s the first time that everyone in the band sings on a song. Thirty-five year years after they made their debut album, they still have the chops to make a song like “We Belong.” Talk about staying power?
Def Leppard so deserves to be in the rock and roll hall of fame and it is so gratifying for me personally to see the bands that I have grown up with to achieve this prestigious recognition. So thank you to Joe Elliott, Rick Savage, Rick Allen, Phil Collen and Vivian Campbell as well as the departed Steve Clark for making such great music and enriching many hearts. (Also need to include Pete Willis who was part of the early years). Thank you for continuing to tour around the U.S. seemingly every year and we can’t wait for the next time when we can all sing along- “Let’s Get Rocked.” And we no longer have to say- What were “They” Waiting for? Congratulations boys, well worth the wait—enjoy the ceremony!!
THE CARS ARE IN!!!
THE CARS ARE IN!!
As a kid growing up in the Sunset Park section of Brooklyn NY in the late 1970’s I hung around a bunch of folks who were into two things- sports and music. My life revolved around baseball, football and rock and roll. (Still does) Many were older and their influence made a lasting impression on me. I can remember Led Zeppelin and Black Sabbath blasting from the boom boxes in the local school yard and I was always blown away by the passion that they had for their favorite bands. I wanted to be just like them and wanted to have a band that I could call my own.
In walked Benjamin Orr, Ric Ocasek, Elliot Easton, Greg Hawkes and David Robinson to my life in the summer of 1978 and my wish was granted. From that moment on, The Cars became part of my life just like bread and water—I needed all three to survive. I can remember the first time I heard the opening licks to “Just What I Needed”- “I don’t mind you coming here and wasting all my time”—it was like a lightning bolt for me—I had to find out who made this sound which was different but still had that rock and roll influence. This song has everything—smashing drums where everyone I know does the “air-drumming” part where Robinson does the “falling down the stairs, roll of the drum sticks” after Orr completes that infamous verse that I just cited. Hawkes keyboard vibe always added the spice, sometimes weird but always tasty. Easton’s guitar playing gave it that gusto that made you stand up and pay attention while always thirsting for more. And for a while in the beginning I didn’t know that there were two lead singers in the band, Orr and Ocasek,-who seemed like brothers from another mother- their rhythm section and passion for their craft- singing and writing lyrics changed my life forever.
So I walk back into the school yard and profess that I have a band that elicits an internal passion that burns deep similar to showing off a paper test grade of an “A” that has a circle around it from your teacher to prove that you fit in. “Oh yeah? Who is it?” I respond- “The Cars”—and just like all of us who have been in a classroom where your classmates bristle and laugh it off like you are from another planet- they poured cold water all over my enthusiasm. But just like everything else, I brushed it off and went back to digesting their music into my blood stream every single day to the point if listening to albums could add weight I would have been the size of the earth by 1979.
I heard comments like how could you like that weird song-“I’m In Touch With Your World- that’s not good”—you’re right, IT’S GREAT. They were “offbeat”- not as “weird” as maybe The B-52’s or The Talking Heads but just enough to separate themselves from the rest of the block. I grew up on ‘blocks’ and each one had their own favorite. I was turning my block into The Cars and would scream from the rooftop any chance that I could, that this band from Boston with their debut album was a force to reckon with. Take ‘Don’t Cha Stop” – which snaps you right into attention and makes you dance all around the room- as I am now so elated that The Cars are in the Rock and Roll Hall of Fame—I told you so!! Make room for me and my band!!!
Ahh but I jumped too far ahead. Let’s go back to the first album and talk about “You’re All I’ve Got Tonight”—my friends, just like Bill Mazeroski making the Baseball Hall of Fame on one homerun – this one song alone writes their ticket into the Hall of Fame. I believe this could be the best song that Ocasek ever wrote, sang, crafted- however you want put it- with help from his brothers as well. This song has everything- the appetizer, the main course and the sweet desert of Easton’s guitar dripping just like when you put chocolate sauce on your ice cream and the fudge rolls all in and down the spoon on top of your monstrous desert but you don’t care because you are going to enjoy it—that’s what this song does for me. Then right, after arguably the best song that Orr has ever sung (I know – what about “Drive?” but hear me out) Bye Bye Love—if there ever a category for the best ‘one-two” songs on side two – these are it!! Does it get any better- “It’s an orangy sky…always with some other guy”—Hawkes solo lifts me off the ground into another stratosphere. From the first time I heard this song I always pronounce the word- “Ill- luss-tree-us” just like Ben sings it to this day—too much for me to take, can’t get enough. Easton’s ending solo is off the hook and really these two songs have to be considered the best rock and roll songs ever crafted.
But it doesn’t stop there-we are now in a time warp as the outer space type –“Moving In Stereo”- comes into your headphones like nothing you have ever heard before. (If I am not mistaken I believe this was their first song that was featured in a movie- “Fast Times At Ridgemore High”). When I hear this song I can picture myself on a rocket ship being an astronaut and flipping upside down in slow motion while my body has no gravity. Orr’s vocal prowess is stupendous and how many times have you hummed the organ part by Hawkes—name another song where you hum an organ part? Then it’s on to what maybe my most favorite song in my life on this earth—“She shadows me in the mirror”- wow, does it get any better than this? “All Mixed Up” is maybe a “hidden classic” for the general public but the Cars’ brethren know this to be the “ultimate”- that bottle of wine or whatever your preference is, when you break it for very special occasions or a holiday meal with all of your favorite people that you break bread with—this song still gives me goosebumps when I listen today—it has-and will always- survive the test of time.
1979—The Cars second album “Candy-O” comes out about a year later and again in the summertime as we are all playing ball in the school yard and I am uneasy because of the term- “sophomore slump”—how would I be able to stand toe-to-toe with the ‘Led Zeppelin II’s of the world?” But as soon as I put on side one I knew I could run right back to them with my chin up- no sophomore slump here—this album has songs that I cherished from the moment I heard them and I will take them with me whenever I leave this earth. “Since I Held You” brings tears to my eyes because of how good it is- I know that sounds weird but this song takes me back to my bedroom lying on a hardwood floor with a pillow around my head soaking in the flavor with the two big speakers that were right next to me as I tried to take this in intravenously like when a nurse gives a needle to put the bag of IV into your blood stream. “It’s All I Can Do” will always be a fond remembrance for me because the lyrics hit home for me as I had tried to get the attention of someone who didn’t have the same thoughts as I did. “I cancelled my flight from going nowhere”- huh, wow- how did they know? Elliot’s guitar solo is short but so exhilarating that I wonder why he is often left out of the conversation of “best guitarists’?” Hawkes- “Shoo Be Doo” has my vote for the best keyboard/organ song ever created—how psychedelic, how cool is this song and Ocasek’s vocals are stupendous- “Don’t cha tell me what to do.” The first side ends with the ever energetic-“Candy-O”—CRANK IT UP—there is no other way to listen to this song but LOUD—who says the Cars couldn’t rock it out?—listen to this and don’t even… just soak it all in.
Side two starts off with what I consider my favorite Cars song of all-time- “Night Spots”- “I see you crossin’ the fine line”—how cool is Ocasek? He has the look, the feel, the voice and the creative genius that puts him in the same company as the character-“Sheldon” from “The Big Bang Theory.” Hawkes and Easton flat out kill this song with their mastery (and of course the train doesn’t run without Robinson banging away like he can). The entire second side is pure genius that ends with the stadium anthem-“Dangerous Type”- a song that I always pointed out to my school yard buddies was played on WNEW-FM just as much as any other classic rock song on their set list.
For some reason, their third album-“Panorama’- is often cited by critics as not good. What? I say if you are a true Cars fan, this is something you treasure just as much as the first two albums. This is arguably my most favorite album by the boys from Boston. I say, there are no “fillers” on this album at all- I listen from top to bottom (now on my I-pod) or side one and side two as I did back in my bedroom. “Touch and Go” is not a classic tune? C’mon let’s get real—this is the Cars at its purest, with another smoking guitar solo by Easton and the bass lines by Orr just bounce in your ears. That “stop and go” motion makes you gyrate your body in angles you never thought you could do and the flow of the chorus is so natural. “Don’t tell Me No” grabs you by the throat and makes you pay attention, Ben is at his best with his demands and you will listen! For some reason “Misfit Kid” always stands out to me, the groove with the drumming is so addictive that you can’t help but sing along and the best part is the two hand claps that appear twice along with the way Ocasek says “cru-uh-uh-um-bulled.” Or how about the cool grooving “You Wear Those Eyes?” C’mon who makes songs like these? Timeless tracks with stupendous vocals and background vocals and the musicianship fits like a glove with all the various instruments. “You do the pogo without the bounce..” Love it!!!
When I was in Brooklyn College there was a “entertainment” room where you could sign up for classic album side for each half hour intervals while sitting there with other folks that you didn’t know and hopefully entice them to feel what you have recommended. Well I will never forget when I recommended side one of “Shake It Up” which came out in 1981 and the person running the room started to dance around the room when he heard the opening licks to “Since You’re Gone.” There was no worries after seeing him dance to the first song, I was at ease and just sat back with this big smile that there was a band that I loved more than anything was bringing joy to others!! Another classic for me is “I’m Not the One”- it is amazing the quality of that song when you have your headphones on, it sounds like Ric is standing right next to you. Side one ends with the kicking “Cruiser” by Mr. Orr which made that same guy get back up and dance around the room again with the complementary handclaps.
As the 1980’s continued and a thing called Music Television was introduced to our world and talk about putting a band that I loved on the map. The Cars were on MTV all the time—remember “Magic” from their fifth album- “Heartbeat City?”—I would say this could have been one of their most memorable songs as well as one of MTV best known videos. And how can one talk about “Heartbeat City” without mentioning “Drive”- arguably their most well-known song across generations. What was not to like? Even grandparents sang along- “You can’t go on…thinking…nothing’s wrong.. who’s gonna drive you home tonight”- listening to this song is tough and brings a tear to the eye because Ben Orr is not here to celebrate with his band members for something that is so well deserved.
As the 1980’s ended and we all kind of went our separate ways, classic rock radio had so many songs to choose from, that I know for a fact that every single day across this world, you can guarantee that you will hear a song by The Cars. Then just six years ago out of the blue, the surviving members come back with another classic- “Move Like This”—right out of the gate “Blue Tip” grabs you pulls you right up to their faces as they are gonna “hook” you in with their infamous grooves that makes you dance along while trying to imitate Ocasek’s singing style- forget it, you can’t do it- there’s only one Ric Ocasek. Then on May 25, 2011 a dream come true for me came to fruition as I was able to see my heroes at the Roseland Ballroom in NYC nearly 30 years after I had first seen them. I was with my friends who also loved The Cars and it was a night that I will treasure for the rest of my life. “Keep On Knocking” and that’s what we did all night long.
Words can’t do the justice on how The Cars have impacted my life, I know it would not be the same without them. It is amazing how this thing called music, connects some many of us and we don’t even know each other. I would like to thank each member of The Cars for enriching my life and I have been listening to all of your music to ear piercing levels and basking in the joy of your special moment since 7:00 a.m. this morning. I know it sounds funny but I am so proud and full of joy to now say that I have lived a life with a band from its initial existence to today and I can jump up and down and scream to the world- “THE CARS ARE IN!!!!”